TABLE OF CONTENTS

FORWORD ................................................................................................................... i

Table of Contents ..........................................................................................................  ii

CAHPTER I INTRODUCTION ..................................................................................  1

CHAPTER II CONTENT .............................................................................................  2

1.      Definition of Traditional Dance ...........................................................................  2
2.   Example of Tradisional Dance ............................................................................  2
3.    Traditional Dance Area ......................................................................................  6

CHAPTER III FINAL ..................................................................................................  8

1.                           Conclusion ..........................................................................................................  8

REFERENCES .............................................................................................................  9

CHAPTER I
INTRODUCTION

Dance is an expression of the human soul is transformed by the imagination and given form through the medium of motion so that a form of motion and the symbolic expression of the creator of the dance we often see in various events through the medium of television (TV), as well as various other activities such as on a special occasion dance performances, and events kegaiatan spectacle in the state and events related to religion, marriage and other parties related to the customs. Dance is like the language of the motion is a means of human expression as a universal communication medium and can be enjoyed by anyone, at anytime. Dance as well as a means of communication, dance has a vital role in public life. At various dance events can function according to its interests. Society requires not only a dance aesthetic satisfaction, but also necessary as a means of religious and customary rites. When listened to in particular, makes a person was moved to dance to the rhythm of dance, dance, and performance ability, and willingness of the public clearly. Dance gives a sense of appreciation, empathy, sympathy, and satisfaction, especially for the supporters. Development of dance in Indonesia there are several stages, among other developments that are sacred dance, which is generally a community with the community members themselves and are used for the benefit of society, such as Sahyang dance in Bali. There is also a classic, like the Legong Kraton which is a classical dance in Bali where dance has a philosophy, there are rules and structure of his plays. The second dance is still there and still growing up now and be the performing arts.  We as students would have to recognize and preserve the traditional dances of our own, especially in areas of traditional dance usually all that is in Indonesia.

CHAPTER II
ISI

II. 1 DEFINITION OF TRADITIONAL DANCE

Dance is a rhythmic body movements performed in a specific place and time for relationships, feelings, intentions, and thoughts. Sounds called the musical accompaniment of dancers and dance movements set to strengthen intentions to be conveyed. Dance movement different from everyday movements such as running, walking, or do physical exercises. Traditional arts are the elements that are part of community life in a people, tribe, ethnicity or nationality. Traditional is the action and behavior that comes out naturally because of the needs of an earlier ancestor.Tradition is part of the traditional but can be destroyed by ketidamauan people to follow that tradition. So the traditional dance is a dance that was born from these communities for generations derived from a common ancestor and evolved to the present in a particular community, so it has a certain distinctive traits.

II. 2 EXAMPLES OF TRADITIONAL DANCE

1. Dance Gantar

Dance depicting the movement of people to plant rice. Stick depict pounder wood while bamboo and grains inside depict rice seed and its container. This dance is quite popular and are often served in a welcoming guests and events lainnya.Tari is not only known by the Dayak tribe Tunjung but also known by the Dayak tribe Benuaq. This dance can be divided into three versions of the dance Gantar Rayatn, Gantar Busai and Gantar tight / Gantar Kusak.

2. Papatai Kancet dance / Dance War

This dance tells about a Dayak Kenyah hero fighting against the enemy.  Movements of this dance is very lively, agile, energetic and sometimes followed by shrieks of the dancers. In Kancet Pepatay dance, the dancer uses the traditional clothing of Dayak Kenyah equipped with the tools of war such as saber, shield and armor. This dance is accompanied by Sak Paku song and just use the instrument Sampe.

3. Kancet Ledo Dance / Gong Dance

If Dance Kancet Pepatay describe masculinity and virility Dayak Kenyah, otherwise Dance Kancet Ledo depict the gentleness of a girl like a rice gently snaking blown by the wind. This dance is performed by a woman wearing the traditional clothing of Dayak Kenyah and on both hands holding a series of tail feathers of hornbills. This dance is usually danced on a gong, so Kancet Ledo also called Gong Dance.

4. Dance Kancet Lasan

Describe the daily life of hornbills, birds Dayak Kenyah honored by being perceived as a sign of greatness and heroism. Lasan Kancet dance is a dance single woman Dayak Kenyah the same motion and its position as Kancet Ledo Dance, but the dancers do not use the gong and hornbill feathers and many of the dancers also use the humble position and squat or sit with your knees touching the floor. This dance is more emphasis on the movements of hornbills flying and when perched perched on a branch

5. Dance Leleng

This dance is about a girl named Utan Along which will be mated by force by her parents with a young man who did not love. Utan Along fled into the forest. Dayak Kenyah girl dance danced to the accompaniment of singing this song Leleng.

6. Dance Hudoq

This dance is performed by using a wooden mask that resembles a wild animal and use banana leaves or coconut leaves as cover by the dancers. This dance is closely associated with religious ceremonies of the Dayak ethnic group and modang Bahau. Hudoq dance intended to gain strength in overcoming the destructive pests of plants and expects to be given fertility yields a lot.

  

7. Hudoq We Dance '

Dances of the Dayak Kenyah is in principle the same as the dance of the Dayak tribe Hudoq Bahau and modang, namely for the ceremony to welcome the year of planting and gratitude to the gods who have given good harvests. A striking difference anatara Hudoq We Dance 'and Dance Hudoq on costumes, masks, dance movements and musical accompaniment. Dancer costume Hudoq We 'use of long sleeves and wear plain cloth sarong, while the human face shaped mask is decorated with carvings typical of many Dayak Kenyah. There are two types of masks in Hudoq We Dance ', which is made of wood and a veil made of beads with Dayak Kenyah ornaments.

8. Dance Serumpai

Benuaq Dayak tribal dance is done to resist disease and treat people bitten by mad dogs. Dance because the dance is called Serumpai Serumpai musical accompaniment (a type of bamboo flute).

9. Tari Belian Bawo

Belian Bawo ceremony aims to resist disease, treating the sick, be fulfilled and so forth. Once converted into a dance, dance is often served at the reception events and other art events. This dance is the dance of the Dayak tribe Benuaq.

10. Dance Kuyang

A dance of the Dayak tribe Belian Benuaq to expel the demons that keep the large trees and tall so as not to disturb people or people who cut down the tree.

11. Kina Pecuk dance

The dance depicts the displacement of Dayak Kenyah that traveled from the Apo Kayan (Kab. Bulungan) to the Long Segar (Kab. West Kutai) that takes many years.

12. Tari Datun

This dance is a dance with the girl Dayak Kenyah with an uncertain amount, may be 10 to 20 people. According to history, along with dance was created by a tribal chief in the Apo Kayan Dayak Kenyah named Nyik Selung, as a sign of gratitude and joy at the birth of a grandson. Then the dance is evolving all the provinces of Dayak Kenyah.

13. Dance Ngerangkau  

Ngerangkau traditional dance is a dance in the death of the Dayak tribes and Benuaq Tunjung. This dance uses the tools dibentur rice-pounder on a regular basis knock dalamposisi landscape, giving rise to a certain rhythm.

14. Baraga dance 'Bagantar

Originally Baraga 'Bagantar are purchasing ceremony to keep the baby with the help of Nayun Gantar request. Now the ceremony has been composed into a dance by Dayak tribe Benuaq.

II. TRADITIONAL DANCE BY REGION 3 NYA

• West Java

A. Dance Jaipong

Jaipong is a school of dance that was born from the creativity of an artist from Bandung, Gugum Gumbira. His attention to folk art tilu Tap one of them is making Treasury know and know very well the patterns of dance traditions that exist in Kliningan / Bajidoran or Tap tilu. Opening movements, pencugan, and several kinds of motion nibakeun mincid of some art above has enough inspiration to develop a dance or art that is now known as Jaipongan. As a social dances, dance Jaipong successfully developed by Sundanese artist becomes a dance that socialized and very loved by the people of West Java (in particular), and even popular until outside West Java. Jaipongan call will actually not only reminiscent of the kind of Sundanese traditional dance with an attractive dynamic motion. Hands, shoulders, and hips always becomes the dominant part in a lively pattern of motion, accompanied by the beating drums. Especially in female dancers, all of it is always accompanied with a sweet smile and a twinkle of the eye.

This is the kind of social dances in traditional Sundanese dance that emerged in the late 1970's the popularity to this day still live in the community.

• East Java

A. Gandrung dance row

Crazy dance is one row of traditional culture in the area Banyuwangi. Gandrung row itself is derived from the Osing language (native language Banyuwangi) which means "row" is displayed and "Gandrung" is happy. So infatuated TRAI row is displayed dance to welcome guests or an invitation to visit the Banyuwangi. Dance originated in the area devoted to row Kemiren the foot of Mount Ijen area. This dance is played by a young woman with a harmonious, beautiful and charming.

2. Dance Reog Ponorogo

Reog stories contained in reog ponorogo take Panji stories. The story revolves around the journey of King Kelana Sewandana looking for her hero, accompanied by horsemen and patihnya faithful, Bujangganong. When the choice fell on the daughter prabu Kediri, Sanggalangit goddess, the goddess gave the condition that he would accept his love when he prabu willing to create a new art. It creates reog ponorogo. Movements in the dance reog ponorogo describe the doings of human beings in the course of life from birth, life, until death. His philosophy is very deep.

• Bali

A. Barong dance

Barong is a character in Balinese mythology. He is the king of the spirits and symbolizes goodness. He is an enemy of Rangda in the Balinese mythology. Banas Pati Rajah is the spirit that accompany a child in his life. Banas Pati Rajah is believed to be the spirit that drives the Barong. As a protective spirit, Barong is often shown as a lion. Traditional dance in Bali which describes the battle between the Barong and Rangda are very well known and often shown as a tourist attraction.

• Aceh

A. Tari Saman

Saman dance is a tribal dance Gayo usually displayed to celebrate important events in custom. Saman dance uses poetry in Arabic and Gayo. In addition to the usual dance is also displayed to celebrate the birth of Prophet Muhammad. In some literature states Saman dance in Aceh was founded and developed by Shaikh Saman, a scholar who came dariGayo in Aceh Tenggara.

CHAPTER III FINAL

III. 1 Conclusion

From the above description it can be concluded that our country is very rich in culture, so many traditional dances that developed in Indonesia that was born from the days of our fathers and growing up today and become a pride for the people of Indonesia. We as the next generation should know the kinds of traditional dance and preserve their own culture, especially traditional dances that are not on the claim by another State.

REFERENCES
www.google.com